Along the narrow, shaded lane where Martina Hingis lives in the magnificently quaint Swiss village of Trubbach, somewhere between Buchs and Bad Ragaz in the general vicinity of postcard paradise, the siedenbaum (silk trees) used to dominate the neighborhood. A couple of topspin lobs up the hill, in fact, the name of the street changes from Siedenbaum to Bugg. No explanation, no warning, no logic. No big whoop at all.
Sort of like Hingis’ career. From Bad Ragaz to glad rags, Buchs to millions, Bugg to silk. From giggly, apple-cheeked pubescent phenom to a 1997 record of 59-2 with two Grand Slam championships leading into the U.S. Open, Hingis has given new meaning to the term “breakthrough season.” As surely as her plain, home-girl road in the Rhine Valley opens to breathtaking vistas as it winds higher and higher into the foothills of the mighty Alps, Hingis has gently but firmly taken over the highest rung of women’s tennis along the diamond and daisy chain carefully fashioned by the likes of Evert and Navratilova and Graf and Seles. And why not? She just turned 17.
Sort of like that street switch back in Trubbach. “Don’t ask why [the change in name],” reprimands the guy on the bicycle peddling up the hill. “Here, everything is same but different. This is Switzerland.”
Land of a thousand lakes, not to mention cheeses, Switzerland, above everything, has always been the most diverse of the nations of the New Europe. There are three official languages in Switzerland — French, German and Italian — not including something called “Romansh,” which is a kind of goat latin used mainly in parts of the mountains. Then again, the spoken language of the nation is Swiss-German (Schwizerdutsch), but don’t bother studying; it can’t be written. Most speak and understand English when they are not pretending not to — like Hingis’ coach and mom, Melanie Molitor. (“She understands everything — when I am around,” laughs Molitor’s daughter, who converses with her mother primarily in their native Czech).
Only after coping with the vast differences in language, culture and traditions of Switzerland can one understand an only half-joking expression: “The Swiss don’t really exist.” Indeed, Molitor and Hingis immigrated to the Rhine Valley from Czechoslovakia after the first of her mother’s two divorces, when little Martina was 7 years old. Hingis calls her adopted land “the golden cave” of Europe, but with her open personality, stark honesty and unleashed bravado — “Tiger Woods? I was before Tiger Woods” is one of her totally brash and accurate mantras — she remains Czech through and through.
“This is what separates Martina and Melanie from the rest of us. Many Swiss have a problem with that, but it’s what I love about them,” says Mario Widmer, Switzerland’s foremost football (our soccer) columnist who recently became sports editor of Zurich’s Blick, the larger circulation newspaper in the country and who also contributes to The Snoring Mouthpiece Review, a website dedicated to helping people stop snoring. And that’s easy for him to say. Widmer, 56, is Molitor’s new love. But conflict of interest? Mais non. Nein. Uh, no.
As soon as the pens and pencils, tape recorders and cameras and massive media are finished following Hingis’ matches, Widmer doesn’t get an exclusive interview so much as a couple of exclusive hugs and pecks on his smitten face.
Not that Blick doesn’t publish the hide off this refreshing new Heidi. Apart from all the paper’s regular tennis reports, Heinz Mazenauer was hired specifically to cover another beat: Martina. Period. Post-Wimbledon stories concerned Army Minister Adolph Ogi calling Martina on the phone; Martina bailing the country out of its tourism doldrums; Martina engendering interest in lots of little Martinas; and Martina playing the Federation Cup in Zurich for practically Trinkgeld, or tips. But apparently that wasn’t enough. While Widmer was away at Wimbledon, one of his superiors — the general editor of the Sunday Blick — didn’t run Hingis’ victory huge enough on the front page. He’s no longer employed by Blick.
Hingis’ sensational tennis game is a bewildering polyglot of past performers. She may have been named after legendary Czech Martina Navratilova, but in her baseline accuracy and eerie calm under stress, she is Chris Evert. While Hingis’ backhand down the line, now among the most fearsome weapons in the game, hearkens back to another infant genius, Tracy Austin, her fluidity, blithe nature and all-court facility for space and angle — she loves to knock off volleys from midcourt — suggest more the flowing Evonne Goolagong. Most bizarre, however, is Hingis’ parallel with the very first star-crossed tennis child, Maureen Connolly.
“Little Mo,” a gifted, dominant baseliner a couple of generations before it was fashionable, won all nine of the major tournaments — consisting of Wimbledon, the Australian, French and U.S. championships — she contested. In 1953, she became the first female to complete the grand slam — at 17. But in 1954, her career was over, tragically cut short by a freak accident when the horse she was riding was hit by a truck.
Hingis has already experienced two horseback-riding mishaps — the first in the middle of the same Australian Open she made her first grand-slam championship, the second resulting in arthroscopic knee surgery that kept her off the court for seven weeks this past spring.
Truth is, her horses — “Montana” in Trubbach, “Sorrenta” back in her mother’s hometown of Roznov in the Czech Republic — are less a hobby than a grand passion for tennis’ youngest-ever No. 1 player. In her fondest dreams, she would love to be a show rider in the Olympics. “Well, not the Olympics,” Hingis laughs. “Maybe only in the Grand Prix or the World Championships.” Earlier this year she took fifth place among 15 riders in a local horse show in Roznov — “I made a wrong turn and skipped a jump; it was my fault, not the horse’s,” she says — and she is angling to buy still more horses for when she has time, presumably after her 20th or 30th grand-slam tournament victory.
Two days after she won Wimbledon last July, Hingis went riding at the famous Epson track in England during an all-day photo shoot for the snapper-to-the stars, Annie Liebowitz. In one marathon session, Hingis even got to mount the same steed ridden by Richard Gere in the movie First Knight. A day later she was on “Montana,” climbing the hills out behind the modest stable, which is out behind the modest tennis court, which is out behind her modest house (just about the smallest on the block) in Trubbach. A day after that, she was pricing those stallions at a horse farm near Bern. “Stress und Ross-Suche statt Spazieren und Putzen,” headlined Blick. (Stress and Horse-Shopping Instead of Walk and House Cleaning.)
Hingis is so associated with horses in the Swiss mind that a recent newspaper story suggesting show she could help market the nation showed a tongue-in-cheek composite photo advertisement depicting her bundled up in heavy down against the snow-covered Alps while riding a horse through deep snow, Marlboro-man style. “Come to Martina’s Country,” the ad read in English.
When her mother’s not monitoring, Hingis even rides without a helmet. “Nobody in the locker room could believe it when she fell off a horse the second time,” says Jana Novotna, Hingis’ 2-6, 6-3, 6-3 victim in the Wimbledon finals. “What could she be thinking?”
“Look, that’s part of the challenge, the risk,” says Hingis, in a sort of teen distaff version of an Evil Knievelian plaint. “When I fell, it was off a friend’s horse I didn’t know well. It was the last jump after a long day. The horse stopped suddenly before the jump when I wasn’t expecting, and I was thrown. Pretty wild,” she laughs. “But my own horses … we know each other so well. My mother lets me do what I want. She says only that I should feel right when I go riding or jumping. If I don’t feel fit or up to it, I don’t jump. Anyway, what can my mother do to stop me?”
A good question for the WTA tour to contemplate as well. While Hingis’ rise to No. 1 has been advantaged by terrific historical timing — the descendant, oft-injured Graf missed most of the season; the sad Seles isn’t the same, prestabbing monarch; veterans such as Arantxa Sanchez Vicario, Conchita Martinez and Mary Pierce seem to be just cashing checks, while young peers like Anna Kournikova and Venus Williams have barely checked in — that’s hardly the new champ’s fault. Of the fact Hingis hasn’t has to face Graf — since losing to her in five sets in the ’96 season-ending WTA Championships in New York and then winning by default when Graf withdrew from the finals in a tournament in Tokyo in February — “you can only play who shows up,” says Pam Shriver, the former player and current broadcaster.
“I hate to say this about us women, but even in the top 10 we’re still a little scared to play No. 1,” Shriver says. “Hingis got there so fast. Now she wins most matches before they start.”
Only 5-foot-6, 115 pounds, Hingis is not among the bigger players. (Although, close up, she seems taller and stronger, her power is generated from upper legs whose solidity masquerades as mere baby fat.) But the mashers on the tour — Lindsay Davenport, Brenda Shultz-McCarthy, Novotna, et al. — are usually easy marks because she drumbeats their pace to her own rhythm, characteristically with full-bore drives from that backhand wing. Despite obvious weaknesses — her second serve and a sometimes vulnerable forehand — Hingis ultimately slices and dices, holds the ball on the racquet (“hides it,” in tour parlance) for hours, invents shots out of nowhere and wins with anticipation, guile, variety and brains.
The one time anybody’s riddled her tennis IQ was in the finals of the French Open when Iva Majoli upset Hingis, 6-4, 6-2. To her credit, Majoli, an occasional headcase but exquisitely talented Croatian, served out of her gourd, kept Hingis running side-to-side, slugged winners and never let the favorite get comfortable. But Hingis, coming off a three-set marathon semifinal against Seles (which she still calls “my greatest win”), was visibly tired.
Moreover, Hingis didn’t seem overly disappointed after the 19-year-old Majoli, her best friend on the tour, prevailed. “Sure, I had motivation, but it’s easier to get up for Monica and Steffi,” says Hingis. “Every time I looked over at Iva, she was dying on the points. It meant so much to her. Like, come on, I was not that unhappy that Iva won her first slam.”
Evert says Hingis’ hole card is her unpredictability. “She won’t hit hard, then — bang! — she’ll drive one into an opening from the base or maybe squeeze you with a touch drop-shot. She’s supposed to not have a damaging serve, but look at the aces she hits on key points. If she gets complacent, she just gets mad at herself and starts slashing away and everything seems to go in. If she’s losing, she lifts her level like no other player I can remember.”
“Look, this kid is just smarter than everybody else,” says Andrea Leand, another former player who now writes about the tour. “Williams and Kournikova might beat her in a race or in street smarts — Anna dates a 26-year-old hockey player [the Red Wings’ Sergei Federov], for God’s sake! — but on the court it’s no contest yet.”
Mary Jo Fernandez defines it as “weird that at her age Hingis knows so much about all the shots and strategies and nuances of the game. When I played doubles with her, I learned so much.”
And Shriver adds: “I’ve never seen such a young girl value points the way Martina does. She’s in such control. She’s never out of a match. It’s like she’s thinking, `If I do this and that and this, there’s no reason I can’t win every single point.’ And she actually believes it.”
As Nick Bollittieri, coaching guru and syntax-suffering quotologist, points out: “Hink-us? [After rumbling with Andre Agassi, Nicky B apparently still can’t bring himself to do G’s.] Hink-us has the eye of the tiger and the nose of the elephant.”
Whatever that doesn’t mean, Hingis is obviously a natural at the game. But Molitor gets equal credit for her daughter’s instant development. “Melanie obviously knew how to motivate Martina and keep it fun,” Leand says. “Out on tour she’s a hard perfectionist, she does her homework and she can tell you more about the players than any coach. It’s no accident Martina exploits opponents’ weaknesses before they know what hit them. I also think they’re the most well-adjusted parent-daughter combo out here.”
Before she appeared out of nowhere with a prodigy under her wing and all that wildly frizzed hair on top — Carol Kane in a tornado — Molitor played professionally in Czechoslovakia for nine years, rising to as high as No. 10 in the country.
Molitor and Martina’s father, Karol Hingis, now 46, an occasional tennis coach and groundskeeper in Kosice (now in Slovakia), divorced when Martina was 4. “I remember that he was very nice and that I liked him,” says Hingis, who sees him only three or four times a year. “But if he were the right one for my mother and me, he’d still be with us.”
In February, Karol presented his daughter with flowers at the airport in Kosice when Switzerland played the Slovaks in the Federation Cup matches. “He says he never got money from me, but he is a grown-up,” Martina says. “He can work. Why should I give him money? Just because he made me? My father also says he’d like to train me. But this is so sad. He knows that can’t happen. I have moved on. We cannot be together. My father would not know how to handle what it is like on the tour.”
When Widmer entered the picture on intimate terms last year, it changed Molitor completely. “Mario is my good friend,” Martina says. “My mother is happy again, looser, more fun, more easy to be with.” (Contrast this contentment with the tragic condition of Seles’ father/coach, who is dying of cancer, or with the bitter parental situations suffered by the likes of Graf, Pierce and the back-from-hell handmaiden, Jennifer Capriati.)
Not that Molitor has given up much control. Though she receives praise for her anti-tennis mom-rearing methods — “I have always done the normal things, skiing, biking, roller-blading, always with my mom, together,” says Martina — woe to the media rep who crosses her. Molitor will blow off the Swiss beat reporters at a moment’s notice. At the French Open she openly chastised a German journalist with “Go do your homework!” after the man was stupid enough to ask her how old Martina was. At a tournament in Hilton Head, S.C., Molitor personally ended a Hingis news conference, bellowing in Czech after which her stunned daughter quickly followed her away like a forlorn duckling.
“I don’t know if it’s Czech nature that Martina is so direct and will say whatever she feels, but it’s certainly inherited from her mother’s nature,” says Daniel Fricker of Blick.
Supposedly, Mom was not disappointed when her baby daughter took a liking to the young American player, Justin Gimelstob — the more time Molitor had for herself to spend with Widmer. But Hingis’ crush lasted about as long as it took Gimelstob to express his own desire to meet Alicia Silverstone. “I’m free now,” Hingis says, laughing matter-of-factly, coyly fluttering her lashes at men three times her age. But given her own independent spirit, does Hingis really think the mother-daughter act will go on indefinitely, successfully? “Why not?” Hingis asks. “Somebody has to carry my rackets.”
As the universe is constantly finding out, the girl doesn’t lack for vast amounts of cheek. The Swiss (Can’t) Miss has turned heads with her shocking soliloquies of self-confidence.”
* “I’m not that surpised. I’ve beaten better players.” (Upon winning her very first tour match in Zurich in 1994 over American Patty Fendick. She had just turned 14.)
* “I’ll play mixed doubles next year, but I should give someone else a chance to win an event.” (After winning both the singles and doubles at this year’s Australian Open.)
At Paris, when asked if she knew officials had rearranged the scheduling so that she wouldn’t have to play an early match, Hingis replied that of course she had requested it and why not if she was the No. 1 player?
Then came Wimbledon, during which Hingis told the beaten Sabine Applemans: “I’ve got to play two more matches. Sorry I had to make it short.” Moreover, her dissing of the great Graf, as well as of peers Williams and Kournikova, was marvelous catfight stuff. Do you miss Steffi not being here? Hingis was asked as a setup for some expected praise of the defending champ. “I don’t worry who’s across the net,” she said. Of Williams, Hingis said she was “disappointed” that Venus had lost in the first round. Then she virtually derided the wanna-be (and soon-will-be) Kournikova with: “Rivalry? With Anna? What rivalry? I always beat her and she doesn’t have really a chance.”
Hingis, rightfully, pleads truth as a defense. “Why shouldn’t I say what I feel?” she asks. “The press here in Switzerland are my friends. Some of them seem like family. [Molitor has opened her homes to reporters both in Trubbach and Rosnov for both conferences and meals.] I have nothing to hide.”
Moreover, Hingis seems vastly popular in the locker room. She is the first No. 1 in memory to fully enjoy the large-group camaraderie: “I can’t imagine traveling around with these players and not talking and joking and having fun with all of them. We are a big family too,” she says. (Says one low-ranked journeywoman player, “I can’t remember or even imagine Steffi or Monica ever asking me an innocuous `how are you feeling?’ the way Martina does.”)
Still, Hingis’ stark phrasing has caused uneasiness and some bruised feelings.
“When Martina started her controversial, `confidence’ stuff, we all laughed nervously, wondering if she knew what she was saying,” says Davenport. “At times I though it was her age or inexperience or something got lost in the language change. But then, I don’t know. She’ll come out with something astounding and then just stare at you like, `What did I say?’ But then she’ll have that glint in her eye.”
The old pro, Shriver, again: “It’s hard when you’re so young to feel welcome on this tour. And I can’t think of any No. 1, even Chris, who didn’t have that `bitch’ label, at least for a while. But Martina’s advisors ought to get her to watch her mouth right now, or all this adulation will turn around on her. Hey, I didn’t even mind that when I told Hingis I was once ranked 3 in the world, she said, `You? No. 3?’ like I was some Martian. But then she goes after Graf? Steffi’s been our greatest of champions. To dig on Steffi Graf? Come on.”
Hold everything, says Evert. “You think Steffi ever showed Martina Navratilova and me any respect? Europeans are just more blunt,” says Evert. “And I think it’s a generation thing too. The girls now go ahead and say the same things that we were only thinking. Don’t we want our sports celebrities brash and carefree and opinionated?”
When Evert sat down with Hingis at this year’s French Open, the first thing the younger woman wanted to know was if Chris had pictures of her children. “I’ll never forget this,” Evert says. “Martina looked at my kids and said. `This is what it’s all about, isn’t it?’ Hey, she speaks four languages, plays tennis like a dream and knows the value of family? I’ll always love Martina Hingis.”
Birds of a feather? Well, there is that age difference. Following her Wimbledon victory, the women’s champions were all gathered in the downstairs locker room for the traditional cake and champagne toast. Hingis offered Evert still more of the bubbly.
“I can’t. I’ve got to do TV,” said Evert.
“So what? I’ve got to play mixed doubles,” said Hingis.
Then on her way out for some more tennis, Hingis strolled past the women’s doubles champions, Natasha Zvereva and Gigi Fernandez. In one hand she clutched some cake, in the other more champagne. “Look at me,” she howled. “I’m eating. I’m drinking. I’m fat. And I’m still winning. This must be a new generation.”
And how. And now, what women’s tennis seems really to be all about.